V.T.Shalamova's basic composition «the
Kolyma stories» (about 150 short stories) is devoted mainly to the
personally experienced, to the tragical camp theme. Shalamov's Prose
organically combines the documentary and art beginning. Thus the writer
considered the camp theme from deep philosophical positions as an
embodiment of crash of humanistic ideas in the XX century, directly
comparing Stalinism with the fascism. In «the Kolyma stories» as he
wrote, new laws of behaviour of the person in inhuman conditions» are
investigated, that is the great value is given not only to
sociopolitical; but also to psychological, and cultural -
anthropological factors of art judgement. From modern positions his
prose is treated as philosophical, existential (close to P.Levi,
T.Borovsky, A.Kamju’s works, and in Russian prose he is most closely
connected to the F.M.Dostoevsky tradition). During the Soviet period
«the Kolyma stories» were not printed because of their «pessimism» and «naturalism».
In 1958 Shalamov was recognized as the invalid. In
1972 was accepted to the Union of writers of the USSR. Having lost his
hearing and sight, completely defenseless, Shalamov died in the House of
invalids of the Litfront on January, 17, 1982.
A lot of his works, verses, and prose, are
connected to the Vologda impressions and memories. The most important in
this aspect is his autobiographical story «the Fourth Vologda» (1971).
It opens the beginning of the writer's spiritual evolution and contains
a set of details (sometimes unique) about the life of the city in the
early XX century, and the first years of revolution.
In Vologda the house where Shalamov was born and
where his family lived (close to St. Sofia cathedral, nowadays it's
Orlov street, 15) has survived. In 1990 the memorial board was opened on
the house wall; there was established his museum and now scientific
conferences and creative evenings in memory of the writer are carried
out. |
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